
WRITER Since most people who come to improv has some sense of performing, most improv books I've read focus on the art of getting improvisors comfortable in storytelling (or at the very least, what to say on stage). In my opinion, there has been so much focus on

I'd take that a step further and say, study the art of writing more, which includes:
- read various things for both content (wikipedia) and style (Shakespeare),
- study genres of art (film, theatre, songs, literature),
- write short scenes, sketches, or outline for plays or movies (famous or original ideas),
- practice speaking with rhetorical devices,
- etc.

The difference between and audience member and a director is also simple. An audience member sits there thinking, "This sucks." A director sits there thinking, "This sucks. I wish they would do something different." A good director sits there thinking, "This sucks. I wish they would do this...
If you tend to be a improvisor who makes weak choice on stage, try directing. It forces you to think about what the audience wants to see, and then articulate it. This is one of the main reasons that the Village Idiots got its start doing only Gorilla Theatre.
THERAPIST A therapist is supposed to make a person

What does this mean for an improvisor? An improvisor at ALL times must utiltize their techinque training to perform well (performer), must understand how to craft interesting theatre (writer), must always keep the audience's perspective in mind (director), and must constantly strive to keep EVERYONE safe, while challenging their inner demons (therapist/safety inspector). It is this multi-tasking that makes improv so difficult to master.
No comments:
Post a Comment